![]() ![]() ![]() The central panel of Boschʼs 'The Garden of Earthly Delights' is generally read as an allegory of the sinfulness of mankind. The exposition in Het Noordbrabants Museum and the eponymous publication From Bosch's Stable-Hieronymus Bosch and the Adoration of the Magi devotes extensive attention to this imitation. The Bosch Research and Conservation Project, which has been researching Bosch's work and studio since 2010, has carefully investigated a number of these copies. With over 30 early copies still in existence, the interpretation of Bosch is one of the most popular compositions in the late medieval Netherlands. The early admiration in Bosch's own time is remarkable. Both paintings were copied and imitated almost immediately, indicating they were held in high esteem. One belongs to the Metropolitan Museum of Art (New York) and the other to the Museo del Prado (Madrid). Two of those paintings have been preserved. Hieronymus Bosch also depicted this theme several times. ![]() ![]() This resulted in an abundance of festive depictions, full of exotic figures with lavish costumes and attributes. The feast of Epiphany was extremely popular in the visual arts of the late middle ages. ![]()
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